
    d1
$ note
((scaleP scalePattern
  $ off 4 ((+ 2 ).slow 2)
  $ off 1 (inversion.slow 2)
  $ off 3 (inversion.slow 3)
  $ off 1.5 ((+ 2).rev.slow 2)
  $ generateMelodicSeed
))#s "[pe-gtr:10,midi]" #gain 1 #orbit 0 #midichan 1


    scalePattern = slow 12 ""


    hush


    scalePattern = slow 16 ""

index > /home/xinniw/Documents/garden/Production.md

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Production and Mixing

Mixing workflow

turn everything down to silent
Bring up the drums until they sound nice
Bring up the bass until it sounds good with the drums
Bring up each of the other elements until each fits and doesn't conflict

Get rid off unnecessary low frequencies

use and EQ to remove the frequencies below ₂₀-30 hz on individual tracks... they add up in the mix and can clutter things

FX in general

for many effects where a dry wet is used (reverb and delay), its better to put them on a bus than on the track fx

Compression

turn the ratio up
turn the attack and release up
turn the threshold down until it starts to engage
adjust attack until the bass sounds good
adjust the release until the treble sounds good

Reverb

put it on a bus
compress your verb... try it...

Layering

one strategy for creating more interesting timbres in arrangements is to layer timbres together. Layer synths, guitars, horns, basses, ect...

Hocketing

a melody can be made more interesting by alternating which instruments play a given note in the melody. This is called hocketing.

index > /home/xinniw/Documents/garden/Production.md